8/5/2023 0 Comments Change letterspace indesignWe can, however, forgo the "neck" of these letters and keep them close to the baseline as the other looped letters need to be (و م), bringing their height down to 3 or more. Some of them (ق ف) involve three horizontals and two spaces, and therefore a height of 5 or more. Looped letters offer a certain flexibility, as they can stretch in height (but not horizontally). The next type of letter may help us decide. We can either bring down the bâ-height, or accept the difference in level. ![]() We can see already that if we keep our bâ-height as we set it earlier, it isn't on the same level as the boxes. In the simple grid we're using, that's a height of 3 units, no more and no less, because in boxes that space can stretch horizontally but not vertically. When it comes to boxed letters (such as ص ط), we have to work with two horizontals and the space between them. We may revise it later-design is seldom a linear process, but a back-and-forth movement between variables until we're happy with the result. So for now, let us tentatively settle on a height of 4. There is no rule as to how high it can go, save that it must be lesser than the alif-height however, it needs to be harmonized with the heights of the other letters, and these depend on spacing as we'll see next. This is the height for toothed and notched letters (such as ب ج س ر). Next we must set a secondary height, which we'll call the bâ-height. Note also that the Alif stands on the baseline ( satr al-kitâba), which we must always bear in mind. Its width is also the line width for all our vertical and horizontal lines (for the moment). Remember only Lâm and Tâ' can reach the same height. This is our " alif-height" (to derive a term from Western typography) and it's the maximum height for our script. Let's go with the last one, at the very right. In this mode, the Alif is a rectangle, and our first step is to define its proportions. ![]() ProportionsĪt this stage we're working with the bare structural skeleton of the letters, over a grid where each square is 1 unit. Today we're going to learn how to set the essential rules of our script, and it all begins with the Alif. Because we're not using a formal script where all the decisions (heights, proportions, spacing) have already been made, we have to make these decisions ourselves, and we're free to keep them constant throughout our work or reinvent them every time (which I tend to do). This is not mere symbolism, but an indication of our starting point when creating a composition in Kufic, be it a word, a sentence, or the whole alphabet. The text to be added can be found either at the foot of the page or on a separate sheet.While describing the Alif, I mentioned briefly that it was the module and archetype for the whole alphabet. A letter in a diamond is placed within the text and also in the margin. This is used if there is a large amount of text to be inserted - too much to write in the margin. Insert matter indicated by the letter in the associated diamond. Insert the matter indicated in the margin They use this mark to indicate that their original mark should be ignored. Often a proofreader will make an alteration and then change their mind. Instruction intended by marks (& examples of the marks in use) Proofreading Marks Chart by Symbol inserted in text For a complete set of universal proofreading symbols, the Writers' and Artists' Yearbook provides a comprehensive list of proofreading marks, as well as examples of proof-read text. This chart is intended to be used as an 'aide memoire' for some of the most common proofreading marks. ![]() Please note: this is not a comprehensive set of every single proofreading mark. Having a handy proofreading marks chart in front of you will aid the process! You just need to understand how the system works, and what the universal proofreading symbols actually mean. That won't be necessary if you are just interpreting. In order to learn the art of proofreading, years ago, I underwent a proofreading correspondence course which helped me get off on the right foot. If you would like to know more about proof reading basics, see our article on Proofreading in Graphic Design and Universal Proofreading Symbols.Īs a graphic designer, you'll find that your main involvement in proofreading will be in interpreting and implementing, rather than actually proofreading documents. This proofreading marks chart will give you a good idea of what the most common proofreading marks mean. ![]() Proofreading Marks Chart -Some of the Most Common Proofreading Marks
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