Nichols, “ The vBow: A virtual violin bow controller for mapping gesture to synthesis with haptic feedback,” Organised Sound 7, 215– 220 (2002). thesis, Princeton University, Princeton, NJ (1999). Trueman, “ Reinventing the violin,” Ph.D. Machover, “ Hyperinstruments-A progress report 1987–1991,” MIT Technical Report, MIT Media Laboratory, Cambridge, MA (1992). II: Bow-bridge distance, dynamic range, and limits of bow force,” J. Askenfelt, “ Measurement of the bowing parameters in violin playing. Askenfelt, “ Measurement of bow motion and bow force in violin playing,” J. 55), followed by a reaction of the author (Ref. A polemic review of Hodgson’s book was published in The Musical Times (Ref. Hodgson, Motion Study and Violin Bowing ( American String Teachers Association, Urbana, IL, 1958), first published in 1934 by J. Bresin, “ Measurement and reproduction accuracy of computer-controlled grand pianos,” J. Wanderley for his inspiring support and advice, and to Lambert Chen for his invaluable contribution as a violin and viola player. ![]() Special thanks go to Emmanuel Fléty and Alain Terrier for their valuable help in developing the force sensor, to Nicolas Rasamimanana and Frédéric Bevilacqua with whom this work was initiated, to Marcelo M. Part of this work was performed during the second author’s (M.D.) stay at the Department of Speech, Music and Hearing, Royal Institute of Technology (KTH), Stockholm supported by the Swedish Institute. Important part of this work was realized at IDMIL, McGill University, Montreal. at IDMIL, McGill University, Montreal) funded by the Cost 287-ConGas action. ![]() The collaboration was stimulated by two short-term scientific missions (E.S. The bow-force sensor was developed as part of the CONSONNES project funded by the French Agence Nationale pour le Recherche. 621-2001-2537) and the Natural Sciences and Engineering Research Council of Canada (NSERC-SRO). ![]() This work was partly supported by the Swedish Science Foundation (Contract No.
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